Voice recording is one of the crucial steps in producing a hit track. This article will show you how to use microphone for singer .Regardless of what your egoist guitarist thinks,
the vocals are what most people will actually hear in their recording. which involved blood, sweat and tears, no matter how many arpeggios he puts on his guitar solo.
As such, plenty of time and special care should be devoted to the equipment and methods used to record your singer’s talent, and in an ideal world that would also involve a lot of money. In the non-ideal world, however, most of us can not afford to spend $ 10,000 on a vocal chain, and we must seek to make the most of equipment that will not have to be parceled out a hundred times, as if we were buying a car.
How to use Microphone for singer
Since this is the reality, here are some tips to help you get great vocal records with cheap microphones …
Needless to say, choosing the room you’re going to record affects the sound quality that will stay on your tape (or your iPad, wax drum or whatever you use …) and this is especially true when recording vocals.how to use microphone for singer. Assuming you do not have a fully equipped acoustic booth, try experimenting in different places.
First, use your ear and not a microphone – make the singer sing while you get a sense of the place’s tone. If it sounds muffled or watery in real life, this is how it will go when you go through the microphone. Move until the sound improves. Putting the singer to sing in a corner of the room usually works, as the voice reflexes dissipate in the corners and return less to the microphone.
You can also try to buy a reflection filter that surrounds the microphone and bars the “room effect” from entering your recording. Try to use blankets, curtains and futons to absorb the reverberation of the environment. There are several tutorials about this online. Acoustic treatment (even at home) is an essential tool when it comes to getting good voice recording ..
2. Microphone position
Every microphone has a piece of gold, where the pattern will match the source material. It is our reflection to put the singer against the protective screen, five inches from the condenser microphone, and this works for some voices, but is far from working every time.
how to use microphone for singer
For example, this approach adds serious because of proximity, and that may not be good for what you are looking for. Often, not using a filter and positioning the microphone a little further works that is a beauty. Lift the bottom of the microphone and point your diaphragm down so the singer is singing a point below the microphone. This will prevent unwanted sounds and allow you to capture a clear, sweet sound.
Check out the video below, in which an inexpensive microphoneDV247 gives a chorus in an expensive Fame Vintage F47. They used the same technique to get the most out of it.
3. Gain structure
When adjusting the PA signal of your preamplifier, whether it’s included in the interface or more luxurious and separate, it’s important when capturing vocals without unwanted noise. Too low will not capture the signal, leading to a greater need for bass compression, a more noticeable problem in cheap microphones. Too high and you risk distortion making you miss a great shot. Consider using a little compression if you have access to the tools for this. Otherwise, try to identify noise and silence sections separately to allow for customized compensation.
One thing to remember is that you do not need a very hot signal when recording digitally (this is a memory of the noisy tape times) so you can stay in the -6db range quietly. As long as you are in a quiet environment, get a good power outlet without sticking too much PA signal, and have great results. Make sure your sound card is in input mode – this will give you more “headroom” while putting the PA signal lower to avoid noise.
It’s boring but true – neglecting time or money on your microphone’s pedestal can lead to massive pains when dealing with steady drops and working with metal rods when adjusting the microphone position with each socket. It is usually possible to get a good sound from a cheap microphone, but a $ 10 pedestal will make even the most expensive of the microphones useless.
There are enough options to make sure you buy a decent one at a good price – please do not fall for the logic that silver tape solves everything in a recording studio. Honestly, it’s not worth it.
Finally, it seems obvious, but by far the most influential factor of vocal recording is the quality of the voice. Try to make the singer as comfortable as possible, take the time to adjust his mix, so he can hear himself decently, and give him some reverberation to help you tune up.
One trick to avoid latency while doing this is to put a reverb effect on an auxiliary and send some to the recording channel. So the singer has reverberation and you can still monitor the sound through the interface rather than just listen through the program. If the singer is comfortable, he will respond better to production tips when his performance, and neither will he be angry when you tell him to stop fussing so much the damn head, so you can finish recording the right track and go to House.
how to use microphone for singer
These are by no means the only factors to take into account when recording and there are lots of advice out there for every stage of the process. But there is one thing to keep in mind, and this is a maxim that must always be ahead when recording, producing and mixing.
If it’s sounding good then it’s okay.
Oh, and “will it affect the bandages?”